Photobucket

www.nemonymous.com



<< August 2007 >>
Sun Mon Tue Wed Thu Fri Sat
 01 02 03 04
05 06 07 08 09 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31

If you want to be updated on this weblog Enter your email here:



rss feed



Friday, August 17, 2007
Secret Wheel (4)

 

Most DFL story collaborations:

DFL COLLABORATIONS (!) ARE LINKED FROM HERE:

http://weirdmonger.blog-city.com/dfl_collaborations.htm 

 

===================

CONTINUATION OF STORIES PREVIOUSLY PRINT PUBLISHED AND NOW UPLOADED TO THE 'WEIRDMONGER WHEEL' in 2008:

Smart Suit Day (Psychopoetica 1996): http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=386897173&Mytoken=2EFBCA49-E941-4A8E-B48403816449D31612109248

Ancient Crafts (Stabat Mater: Multimedia DFL experience - Digital Workshop 1996): http://weirdmonger.blogdrive.com/archive/272.html

Gardening Tips (The Cimmerian Journal 1996): http://weirdmonger.livejournal.com/2008/05/01/

Soft Steps & Rockeries (Butterfly & Bloomer! 1996): http://weirdmonger.mindsay.com/soft_steps_and_rockeries.mws

Dawning (Purple Patch 1996): http://weirdmonger.mindsay.com/dawning.mws

Simply Sick Again (not dead but dreaming 1996): http://weirdmonger.blogspot.com/2008/05/published-not-dead-but-dreaming-1996.html

Belly Laugh (Spotted Rhubarb 1996): http://weirdmonger.mindsay.com/belly_laugh.mws

Simply A Stranger (Psychotrope 1998): http://weirdmonger.livejournal.com/2008/05/11/

Only Parts Are Real (Next Phase 1996): http://weirdmonger.blogdrive.com/archive/277.html

Trooping the Colour (Footsteps 1996): http://weirdmonger.blogspot.com/2008/05/trooping-colour.html

The Prince's Wood (Sierra Heaven 1996): http://weirdmonger.blogspot.com/2008/05/princes-wood.html

Rising Sap (In Your Face 1996): http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=398041693&Mytoken=84DF62C3-4F48-4CF0-8F284B789D6AA9B266821464

Somewhere (Colchester Library 1996): http://wordonymous.tripod.com/blog/index.blog/1816326/somewhere/

Wake In The Morling (Eco-Runes 1996): http://augusthog.tripod.com/blog/index.blog/1816331/wake-in-the-morling/

Tree Panning (Geek Love 1996): http://weirdtongue.tripod.com/blog/index.blog/1817713/tree-panning/

Folded Away (Mail Art - Wearwolf 1996): http://weirdmonger.blogspot.com/2008/06/folded-away.html

Magicked by the Moon (not dead but dreaming 1996): http://www.ligotti.net/showthread.php?p=9868

Wooden Box (New Hope International 1996): http://weirdtongue.tripod.com/weirdtongue/index.blog/1818887/wooden-box/

Face (frisson 1996): http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=445884539&Mytoken=993BA952-B44E-4FEC-AE5A7EB37B2812B7212196726

Comings and Goings (Three 1996): http://simplon.blogspirit.com/archive/2008/06/09/comings-and-goings.html

Posthumous Prize (Psychopoetica 1996): http://weirdmonger.mindsay.com/posthumous_prize.mws

Mummy's Boy (Trash City 1996): http://weirdmonger.livejournal.com/2008/06/10/

The Provenance of Souls (Dreams & Nightmares 1996): http://weirdmonger.blogdrive.com/archive/278.html

Rituals of the Clock (Writer's Block Magazine 1997): http://weirdmonger.livejournal.com/108323.html

Widow's Weeds (Beyond the Boundaries 1997): http://weirdmonger.blogspot.com/2008/06/widows-weeds.html

Desultory (QRD 1997): http://nemonymous.tripod.com/word_hunger/index.blog/1820917/desultory/

INDUSTRIAL EVOLUTION (Strange Wonderland 1997): http://weirdmonger.mindsay.com/industrial_evolution.mws

In The Beginning Was The Word (frisson 1997): http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=406732971&Mytoken=8DD1C038-471F-4956-939EE05E6548C86A205349400

XXXX (Zine Zone 1997): http://weirdmonger.blogdrive.com/archive/279.html

Oblongs of Oblation (Psychotrope 1997): http://wordonymous.tripod.com/blog/index.blog/1863951/oblongs-of-oblation/

The Secret House (Unreal Dreams 1997): http://weirdmonger.blogspot.com/2008/06/secret-house.html

Transferred:

Separation (Dementia 13 1991): http://weirdtongue.tripod.com/blog/index.blog/1826766/separation/

The Dream I Was (Masque 1994): http://augusthog.tripod.com/blog/index.blog/1826765/the-dream-i-was/

Headless Hall (Barddoni 1991): http://wordonymous.tripod.com/blog/index.blog/1826764/headless-hall/

Love & Stitches (Psychotrope 1994): http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=414179590&Mytoken=C81CC67F-14F7-484D-8EEAB50D21C9B88924255531

The Jinx (Purple Patch 1990): http://weirdmonger.blogdrive.com/archive/280.html

Epilogue (Hadrosaur Tales 1997); http://weirdmonger.blogspot.com/2008/07/epilogue.html

The Groundling (Dark Horizons 1990): http://weirdmonger.livejournal.com/100142.html

Office Block (Purple Patch 1990); http://augusthog.tripod.com/blog/index.blog/1863952/office-block/

Where I Came In (Cobweb 1990): http://simplon.blogspirit.com/archive/2008/07/11/where-i-came-in.html

CONTINUED ELSEWHERE ON THE WEIRDMONGER WHEEL

==================================================

==================================================

http://weirdmonger.blogspot.com/2005/08/backseat-dreamer.html - Backseat Dreamer

http://weirdmonger.blogspot.com/2005/08/both-sides-of-midnight.html - Both Sides of Midnight

http://weirdmonger.blogspot.com/2005/08/deathless-in-venice.html - Deathless In Venice

http://weirdmonger.blogspot.com/2005/09/dark-hem.html - The Dark Hem

http://weirdmonger.blogspot.com/2005/09/ounce-of-three-castles-and-packet-of.html - An Ounce of Three Castles and a Packet of Blue Rizla

http://weirdmonger.blogspot.com/2005/09/dark-miscegenation.html - A Dark Miscegenation

http://weirdmonger.blogspot.com/2005/10/monkey-who-did-not-like-its-hat.html - The Monkey Who Did Not Like Its Hat

http://weirdmonger.blogspot.com/2005/11/deep-one.html - A Deep One

http://weirdmonger.blogspot.com/2005/11/spare.html - Spare

http://weirdmonger.blogspot.com/2005/12/end-of-season.html - End of Season

http://weirdmonger.blogspot.com/2006/03/i-blame-mother.html - I Blame The Mother

http://weirdmonger.blogspot.com/2006/04/dies-irae.html - Dies Irae

http://weirdmonger.blogspot.com/2006/05/old-familiar-places.html - The Old Familiar Places

THE EXQUISITION: http://weirdmonger.blog-city.com/the_exquisition.htm

Solaris (A Lyttony): http://weirdmonger.blog-city.com/solaris.htm

======================

Posted at 09:41 am by Weirdmonger
Make a comment  

Thursday, July 26, 2007
BEYOND THE BOOKCASE

First published 'Dagon - DFL Special' 1989

When Clive invited me to his house late one Summer to partake in a weekend of literary discussions, little did I realise...

To fill in a little background, my name is John Hope and I am well known in the field of literary Criticism, but when I say “well known”, I do not mean to imply that the man on the Clapham omnibus would con¬stantly have my name on his lips. However, speak of me at that time to any caught up in the arcane circles of London literary life and my name would be known — though I wonder if any remembered the actual articles that I had written! I am unmarried. Being somewhat shy of the opposite sex, I had been led to many a celibate nightmare, but now approaching the autumn of my days, I had grown used to the solitude of my room and books.

I rush to admit that I was often branded trampish and over-scholarly. I had even been declined entry to many a posh club in Inner London because of my dissheveled appearance. However, I was, on average, happy and, in the main, financially self-sufficient.

Clive Hunt, a life-long friend, was much richer than I. No doubt, he would have been even more trampish than myself, if he had been left to his own devices. He was naturally and all-embracingly intellectual, but a rich Aunt had cared for his physical and monetary needs. One may read what one likes into that, but I must stress that Clive was a gentleman’s gentlemen, full of the most fitting good humour, kindness and wit. Some may call it unfortunate that his intellectual pursuits could only be described as pertaining to the weird and marvellous. Under various pseu¬donyms, he had supplemented his Aunt’s income with money stemming from stories in the fantasy field.

He lived in one of those up market Inner London suburbs south of the Thames where relative peace can be found amidst the turmoil and cosmo¬politanism of life in the Eighties. Since his Aunt’s sudden death (a death which must have affected him badly, but how badly I was about to discover), I knew he would be financially secure in view of the large legacy that she must have left him. As I travelled on the tube towards his stop, I speculated on the weekend before me but, I must repeat, little did I realise ...
* * * * *

I knocked on the door of the detached house, set back from the quiet avenue and encroached upon by a dense garden of unkempt ferns and weeds. From within I heard the pad of Clive’s customary slippers plodding along the parquet hall. His gait was a shuffling, shambling hop, skip and jump and, before I could appreciate the well known sounds, he opened the door...

I had not prepared myself sufficiently for the damage that his Aunt’s death had wrought on his features. His normal pallor was redoubled — a chalky visage now creased with the added years of grief. This mask attempted to grin a welcome but could only manage a sick grimace as a stiff arm raised itself to my shoulder to give it a reassuring tug. As he led me down the hall, his typical shamble was that of some half-mutilated prehistoric creature — an image that was lent some credence by the ill-kept hair straggling in greasy knots down his back ... and the grey flannel trousers mottled by stains.

I made my usual greeting and then embarked upon a speech that I regret¬ted making as soon as I had in fact made it. I berated him for his pitiful state, accused him of disgusting decay and threatened leaving at once.

“Why, man, you can actually see the bones of your skull and cheeks! Have you not eaten?”

I followed as he padded into his book-lined office. This was so familiar to me from many a previous visit, that my affection returned and recalled the occasions on which we had sat together in that very room and partook of literary discussions and recitals. I remembered a much younger Clive Hunt, fresh from some domestic skirmish with his Aunt, standing before me and reading aloud, with avid and proud intensity, from a new attempt of fantasy story-telling. The guttering lamp would flicker along the spines of the bookcase and across the juvenile lines of his face. As he came to the customary horrific climax of his little piece, he would glance up at me childishly expecting to see awe and praise in my eyes and I would smile knowingly...

As these memories hit me at the threshold of the study, I suddenly real¬ised that I had not yet mentioned the death of his Aunt. Of course, I had written to him and commiserated in the most conventional of ways but, naturally, he would expect some odd sympathy or two now face to face.

“I heard the tragic news… with such sorrow, Clive. Please don’t think me hard-hearted if I...”

“Don’t worry. I’ve got over it now. It takes time but I have accepted the fact and can only try to forget”.

I knew that Clive had had many disputes with his late Aunt but, as in all love-hate relationships, his affection for her had been deep. I took his last statement to mean that he had accepted my condolences but, forthwith, the subject was closed… so I immediately took him on to literary matters and suchlike. I tried to ignore his shaggy demeanour and also the seeming intangibility of his mood… and turned the convers¬ation to the latest Science Fiction and Fantasy he has read (or written).
* * * * *


From that time, we spent countless hours with Clive reading aloud to me, only broken by my humorous asides, by the quickly gobbled meals and the snatched naps that replaced normal lengths of sleep.

One night, however, Clive, still unwashed and as untidy as I had first seen him, suddenly became serious. How he could have previously restrained such comments as he now made, God only knows! All I could see was that he must have been awaiting some fulcrum of events, some flashpoint of atmos¬phere, to settle on my ears the most interesting thesis. Evidently, the moment had to be right and therefore, triggered by timely coincidence, he put down the book from which he had been reading and said:

“Excuse me, John, I have been thinking. I have been thinking quite a lot since ... my Aunt’s death...”

The last words seemed to be blurted out despite the obvious grief he was undergoing. I did not interrupt but kept my unflinching eyes on his mouth.

“... You know, you have sat with me on many an occasion listening to horror stories, to my futile attempts at fantasizing ... This is all very well. It is all very wall ... but, be honest, John, it’s crude escapism! Books are just the televisions of the intellectual, little better, little worse. But — think about it, just imagine, what if our fantasizing were true? What if every little fantastic scene we were to conjure up would appear realistically before us — and we were subject to and endangered by the forces therein? Impossible, you say?”

“Nothing is impossible until proved to be”, I said in an attempt to humour him.

“And, if all this were true, how so much more worthwhile would our discussions and play-acting become. One only needs the strength of mind, the strength to dream and, perhaps, if the strength was actually greater than the strength that God or whatever force stabilizes the so-called reality around us ...” He waved a demonstrative hand around the book-lined study as if this were the “so-called reality” of one who may be God. “.... if we could but pitch our mental strength against the forces of nature, call it what you will, we could ... say, create a door from that bookcase!”

He pointed feverishly at a bookcase filled with his favourite fantasy books, viz, the mythos of H. P. Lovecraft, the multi-faceted landscapes of Clark Ashton Smith, the garlanded vistas of Vance, the ghost-trodden corridors of Algernon Blackwood.

“How apt! If that bookcase, if that particular field of semantic force were to become an opening to some vast world of horror and undreamable spectacle — how apt!”

“How can this ‘strength’ of which you speak be conjured up?”

“Simplicity itself, my dear John”. He looked askance at me as he ran his fingers through knots of hair. “Just imagine — the culmination of two minds such as ours. Also, we cannot afford to fail. We shall swear to kill ourselves if we fail — and, consequently, we shall muster the strength to dream!”
* * * * *


Our first attempt ... was a ghastly experience. Not that we failed wholly

For several days after our first discussion about creating an opening or gateway from Clive’s bookcase, we sat and planned how such a phenom¬enon could be formulated. Primarily, we had to consider the conflux of time involved — at what point in the duration of our “seance” and for how long were we to concentrate our wills on the potential opening; how many strands of atmosphere and flashpoints of happenstance would be required to coincide before our gateway to horror and outworld spectacle would open before us; and how hard would we have to bind our trances and mutual fantasizing (too hard and we may be swallowed up forever in unchanging, unconscious nightscapes; not hard enough and we would only see thin miasmas of horror hooding the very room around us)?
Then ... Clive and I sat staring at the bookcase for several minutes, allowing ourselves to be engulfed by the mental vibrations that we were both trying to create. I cannot even hint at what was going on in our minds nor can I list the various rituals of gathering moods that we had previously engendered. Those elements were too vague, too transient and easily forgotten. All I can do is just state, as blandly as possible, the results of our first foray.

It is difficult to depict Clive’s expression for I was staring unwaver¬ingly ahead at the bookcase. However, if his nerves and tendons were taut as mine, if his eyes were round, rolling and fully exposed from the rippling cheekbones as mine, and, if his hands were fisted in pain above his vibrating knees as mine, then he must have been a tragic trance-jerked puppet.

Firstly, the bookcase swam before my eyes — the spines of the books rippled and bubbled to some obscure rhythm ... but, instead of the moving vista of watery reality becoming even more tenuous, even more diaphonous, and, finally, instead of turning into an opening or gateway... the book¬case rippled back into hard reality. I turned to Clive with disappointment greying my face and he turned to me likewise.

Then… I sniffed the air. What a shocking stench! I could only liken it to the putrid offal of some dark, forgotten canal in Venice where ghostly corpse-barges moon through the unending nights of Latin decay.
I turned again to the bookcase — and it seemed to shift in sharp jolts away from the wall. Straightaway, Clive and I rose and stepped towards the fidgetting bookcase. Together almost, we peered at the space between the now toppling case and the wall against which it had previously rested — and we saw a sight which sickened us beyond reason.

The emotional overtones are certainly indescribable. Between the book¬case and the wall was squashed the twitching carcass of some tentacular beast; its flesh was deeply pored, inflamed and haired, its lists were mottled with melded fat and stained with great warts and wriggling cancers. It was like the half-cooked remains of old poultry — still alive and panting in sick sighs. It was knobbed and crustaceous and in each pit of limb and body was a crutch of jellified, yellgreen pus. But, the worst was its face: decked with a cock’s comb, red as blood, was the human face of Clive Hunt’s deceased Aunt!

As our minds lost their occult grasp, its form slowly faded from the room.
* * * * *


Little by little, Clive returned to normality… he listened to my insistent comments on how it had only been a “vision”, a sure example of the success of our strength to dream. The “vision” had merely been enwebbed in some strange “afterdeath” process that had become wedged in Clive’s brain. It had to be released — this “afterdeath” — it had to be purged — this Aunt fixation — before we could progress on to the true success of our experiments.

It may be said that I should not have encouraged him to further exper¬iments. But I considered it my duty to do so. Like a rider who falls at a difficult fence....

“Clive, it was only vision, only imagination. It was not your Aunt at all”. I swept my arm across his desk as if to clean away any dust.

“But, John...” His voice was weak and cracked. His appearance was even worse than when I had arrived. “We had to move that bookcase against the wall! Mark that! That bookcase was a full ten inches from its original position...”

“True — but there was not one stain on the carpet. Not one fleck of decayed flesh. Not even one hair. The “thing” had been realised as matter, yes. But it was vision. It did not exist. It was not your Aunt in some tortured limbo. It was not her terrified soul struggling to release itself from monstrous clutches. It was a psychosomantic, poltergeist-type image, a catharsis, a purging of your complexes and fears. We are now free to explore true vision”.

I had in fact been caught up by the idea of material vision. Clive’s enthusiastic idea had lost momentum in his mind and, instead, here I was selling the idea back to him!

About a week after the “afterdeath” monster vision, we both sat before the fateful bookcase, the same engendered stares pinned to those favour¬ite fantasy books, the same elements of time and space focussing their energies through our wills. The bubbling and rippling returned, the books doubled up, trebled up, twisted, merged and lumped into wadges of blurred image. The actual area of the bookcase, its face and front darkened like ink silting into blotting paper — and before us opened the gate…

II

He had sat there for an eternity and a half — or so it seemed to him. Perched on a boulder as large as himself, he looked above at the grey skies, heaven upon heaven of unending greyness — strangely morose and lowering. It was as if a great fall of snow was imminent — except that the atmosphere was sticky and thunderously humid. Snoi-Snep sat there as still as a contemplative statue, as he had for an eternity and a half.

Snoi-Snep was an ape-like figure — black and hairy — and his bald ebony dome rested in meditation on thick hands. He kept strong links with humanity: his eyes were mellow and deep, almost philosophical; his nose was well-shaped around dim nostrils; his limbs were those of an Ancient Greek athelete. But for the glance at the grey, lowering skies, his pose was indeed statuesque and peculiarly eternal.

The landscape was as desolate as the skies. With the exception of the boulder on which Snoi-Snep waited, the wastes around were unending shades of brown, strewn with small stones and unshaped rocks.

Waiting was religion. The depth of his eyes, the dark pools of intellect that welled there, spoke of a faith as deeply purple as the sky was deeply grey. For an eternity and a half, he had awaited the Coming of those who would lead him to a haven. He had yearned for respite from the boulder seat; some strange paradise would be the destination as those for whom he had waited took him by his black hand to lead him over the brown deserts to a lagoon of peace and rest. When his dark dome was not resting in contemplation upon his thick hands, he would be staring towards the endless horizons for those who must come.

Then, movement came! One day amongst a trillion others, one endless day amongst the endless days without night that the brown desert bore, he saw movement: two dawdling forms approached from the dim distance — and they were heading in his direction!
* * *, * *


“Are you ready, Mr. Hunt?”

“I am, Mr. Hope”.

We both hopped into the opening, not forgetting to draw the veil of “firehearthness” across the opening to stop anybody following us.

“Yes, it was certainly a good idea to disguise the opening as a fire-hearth, but would it not have been better to replace it with the original bookcase?” I asked.

“Perhaps, Mr. Hope, but now we are in the dark and heading for the end of this godforsaken tunnel, let us not worry about that. We have visions to seek.”

When we left the tunnel, I suppose it was inevitable. Whether it was conscious or unconscious, we were flexing our imaginative muscles and the vision before us stretched endlessly to each horizon in the style of every fantasist we had ever appreciated: the mediaeval water-wells and thatched cottages of Morris; the gambrel-roofs and twisted root-bogs of Lovecraft; the strange beyond-cities of Machen; the ghostly promenades of Aickman; the werewolferine reaches of afforested Averoigne; the space-scapes and tube-effigies of Vance; the castellated sorceries of Howard, Robert E....

That vision of multiform and conglomerate fertility soon faded (as our “muscles” weakened) into the brown dunes of some mouldering, sunless desert. The original hiccough of startled fantasy had given way to inevitable insipidity — negative, Pagan, silted, waterless wastes drifting ever to the margins of our minds.

“Well, Mr. Hope ...,” shrugged the man whose study we had left seemingly ages ago.

We trudged over that brown and infinite desert. We trudged over that brown brown, as if a goal was beyond the brown or amid the brown, a goal toward which our silent symphony wended.

I glanced towards Clive, one day, and I think he glanced at me simultaneously. One realisation apiece and we knew that a strange wonder was afoot. We had been trudging brown ‘pon brown for apparently months, or perhaps years, and no sustenance had passed our lips.

“Could we be dreaming up ourselves as well as this environment?” I swept my hand across the vista as I said this.

“Do you mean to say, Mr. Hope, that not only are we fantasizing in concrete form this vile vision of endless wastes, but also ourselves in some godly form — whereby we need neither food nor drink?”

“I mean that very thing, my dear sir.”

Stylization of our speech, in this way, seemed to be the very scaffold of the vision.


It will be remembered that Clive had been dirty and unkempt during those far-off days in his South London home. Now, his visage, although pale like some effete angel, was golden-trimmed and shining. His clothes were robes of some garlanded religion — an offshoot of a peculiar Dunsany cult. His eyebrows arched like some intellectual Conan of the Spheres as he responded to my hypothesis of self-creation:

“I am looking at you, Mr. Hope. I am taking you in. You are like the hero of a romantic book. Your locks are dark. Your brows are deep and reasoning. Your lips are full and delicious. Your beard is grey-streaked with wisdom. And I have never known you different. You are you. And you were you before we started this trail of mind and inner-mind...”

“I am looking at you, too, Mr. Hunt. Your face is almost transparent, showing from within the fine vessels of silver fluid. Your garb is flowing and Christ-like. Your speech is glowing and Cicerone ... You are you. And you were you...”

There are many tales of another passenger along the way — at first unseen but, then gradually realised. Do you recall how months, or years, passed as we trudged the brown dunes of duration? We wondered whether at first our fellow passenger was nothing but a sunless shadow of one of us. Then, we knew, gradually, we were being accompanied by a negro of leonine cast. He had strange timeless tales to tell — he told of three who followed us. Of three who wished vengeance. And of those three, he was one,

His name was Snoi-Snep. We learnt, little by little, of his utter fear of himself and of his own relentless pursuit of himself in company with two creatures such as ourselves. We also learnt that those two companions were in relentless pursuit of our good selves. So, we patted Snoi-Snep on the back and pledged our support to him against himself and against those Englanders who we knew little of except their eternal quest across our own created plains and visions — for our good selves!

I tell of our flight through the visions of our favourite fantasies, pursued by an impossible possee, a deadly crew of thoughtless beings. We set up obstacles of horror behind our trail, we created every crevice and cranny of formulated fantasy to bar their way. We threw behind us pits and nets of thought, we dropped in our wake countless mazes and labyrinths of horror and supernatural, endless avenues of ghosts and monsters, unalter¬able chasms and ravines of imagination ... taking special care not to stumble back ourselves into these carefully constructed nightmares.
* * * * * *

When .Clive Hunt and myself actually saw the three figures pursuing us across the plains of brown waste, we literally shook with fear and anger combined. How dare they chase after artists across the very canvas upon which those artists intend to paint!

We had to think quick. We had to shrug off our self-imposed tautologies and refinements to throw back defensive fantasies. Crude as they might be, unplanned and rough-edged as they definitely were, we had to think dreams — and damn quick!

It must have seemed to Snoi-Snep that we were setting up a stage, a proscenium arch, with a red, red curtain. We visualized crudely pottered puppets and amateurish scenarios. We thrust our hands into glove dolls and pulled at our tangled threads of tear-stained, jerking Pinnochios.

We pulled the red, red curtain together and, pushing those dirty devices through the various slits in its surface, we gargled frightening gutterals to fit the antics of our puppets ... and just hoped for the best. One of Hunt’s puppets was particularly effective and was the main cause of the utter rout and flight of our three pursuers...

…*******The red glare had started. At first, shafts of red light bore down from the previously dreary sky. Hunt and Hope could not tell whether they were sharp, angular shafts at regular intervals of space or if they were blurred splotches of irregular bursts of red fire. In any event, the shafts quickly spread in magnitude and blinded them with a continuous sheet of uniform fire. Brighter and brighter burned its hue. Then, out of the hinterland and mid-mysteries of its shapeless infinitude, Hunt and Hope glimpssd sharp visages of scorn. Tongues lolled carelessly from tusked openings and eyes, redder still, winked malignantly above green-snotted nostrils. Then... AUNTIE CHICKEN stepped out of the red murk and waddled as if with a broken back. She had brooded in the shittah-tree for centuries and now she yearned vengeance on those who had ill-created her. She squawked beneath her bleeding red cock’s comb and gobbled up their sucking-pig souls...******

We had no doubt called up our own selves, our own Destiny and Cthulhu from where it should not have left.

“I glance at Mr. Hunt”.

“And I glance at Mr. Hope”.

And we perch in the land where the corpses grow and Snoi-Snep tells us far-fetched stories for an eternity and a half.

Many aeons and worlds away, others warm their hands by the fire-hearth that burns on fuel of page on page.

Fin.

Posted at 03:53 pm by Weirdmonger
Make a comment  

Tuesday, July 24, 2007
Within The Flicks

Within The Flicks

First Published 'The Edge' 1990

The voice seems to come from inside the wardrobe, rather dull, as if it is straining to talk through layers of clothes flowing from the hangers. From his position in the bed, he hears it move from the ceiling, now a trifle like his own voice, as if he had left himself up in the loft: earlier he had successfully retrieved some oddments for the local scouts’ jumble sale.

The foot of the bed is angled towards the door, with its head just below the window. He imagines he can hear the sash weights behind him moving up and down within the side frames, as if eager to budge the window open on their own, to allow the exit of some evil presence. He knows, however, that it is stuck tight with years of old paint and has not been shifted, even in his living memory. He begins to catch odd shufflings within the chimney breast, where the fire used to be in the days when this was his old grandmother’s bedroom. Then, the ghostly roar of ancient flames within...

Sitting bolt upright, the bolster crumpling beneath him, he raises his knees to eye level to form a desperate shield. No amount of rumbustious visits to horror flicks with his mates, where the only response to the ‘gross out’ scenes was laughter, back-slapping and bum-pinching horseplay, had prepared him for *this*. Real life horror. Unadulterated, unrehearsed poltergeist visitation, or whatever he likes to call it.

Unaccountably, a vision of Dorothy flitters across the backdrop of his mind. He tries to concentrate on that image, in an attempt to block out the changing manoeuvres of the terror entity. They plan to marry in about six weeks’ time. He even booked the honeymoon trip today. Korea had seemed an obvious choice after those splendid Olympics. Full of nice, smiling, slant-eyed people ... and fireworks … and meaningful ceremonial dances ... and matchless fair play.
He intends it to be a suprise. Dorothy will be delighted.

She is at charm school at the moment. A rather old-fashioned term for a finishing college. Cascades of giggles, he imagines, as the girls duck and bob with the tails of their skirts along the winding staircases of the country house. Not that she needs the input of more charm...

The entity is making him think of things he never knew he could think. He has just invented a fictional fiancee called Dorothy. He bets the girls in the charm school don’t wear knickers... But he’s not even heterosexual.

He tries to lower himself from the bed. But it is as if he’s ill: his legs are like jelly one moment, lead the next. Dorothy sits beside him, intermittently mopping his brow, lightly kissing his cheek, whispering incomprehensible endearments into his ear.

The window has at last managed to grind open behind him, and the curtains billow into the room like participants in a semi-religious ceremony. The night air sheds its warmth and the sweat bobbles like ice on his skin.

Dorothy offers him a box of confectionery. Looking at the display on the underside of the lid, he chooses the crystallized violet and places it upon the back of his tongue to allow the flavour to dissolve slowly. She chooses a marzipan triangle and a sweetloaf: sucks on them noisily.

“Who are you?” he manages to ask.

She drapes herself in the folds of the flowing curtains and dances a ballet with the music of the city night outside. She can throw her voice, disguise it and transform it even into a likeness of his.

“I’m the one who loved with a man in this room,” he hears himself say, “but he spurned me for another.”

At this point, the wardrobe door flings wide and the ceiling bells out, caves down: both reveal the toppling frightened face-blanks of men he once knew: the paint on the window frame blisters out under the flame-thrower of her breath: the chimney breast swells and reddens like the vein at the back of tumescence.

She twirls his still pliable body-part into a stick of barley sugar, sucks it to a jagged point. And giggles insanely as she impales herself upon it.

“Charming!” he mutters, as he drifts into another far worse nightmare: which is the real world full of new plagues that nobody understands

(written in the eighties)

Posted at 06:37 pm by Weirdmonger
Make a comment  

Back To Basics

Madame Claire inched her bottom towards me on the chaise longue. We were waiting together, based on the theory that two heads were better than one. Split the difference. Halve the elapsing time. The fact that one of us waited for something entirely dissimilar, as well as secret - well, it should have been neither here nor there. Yet, both our waits were pointless, as it turned out, since there arose another factor altogether a ghost - altering the course, not only of Madame Claire’s life and of my own, but also that of the dead person that had given it life ... a ghost that thus reflected backward with its effects as well as forwards: as ghosts often did in the old days. The eerie side-shape was more than merely a ghost, however. There was a semblance of hope, a dread, a memory, a supposition - all these things at once - tinged with a supernatural element that had more in common with basics than anything higher: God the ground exhaling an angel of air. Madame Claire nodded, agreeing with my silent description of the phenomenon. We kissed for the first time. Evidently, the chaise longue could wait no longer.


(published 'Oasis' 1997)

Posted at 03:27 pm by Weirdmonger
Make a comment  

Too Short For A Name

Too Short For A Name

He was sick of drawing triangles, parallelograms, rhomboids, trapeziums, cubes, polyhedrons in his exercise book.
Under the searing eyes of the maths teacher, who had it in for him, he drew a paranoid...

(published 'Psychopoetica' 1990)

Posted at 03:26 pm by Weirdmonger
Make a comment  

Time Waits For No One

Tom was out and about near the pier, mainly cruising. Waiting to see what would happen. Most of his friends had grown up faster than him - and he was left more or less alone in this godfearing, godforsaken, godawful town...and there didn’t seem much point in whistling along in his fashionable suit just to outsmart a series of blank-faced strangers who didn’t seem to know a good time even if it sped their way at full tilt.

Nevertheless, almost religiously, every Saturday night, Tom strutted his sharp-edged stuff down the High Street...only later to lope back up it.
He might venture into old haunts, such as the now deserted youth club - where he recalled Little Eva making a personal appearance in a past era which was truly providential compared to the tawdry present one - or the Crab and Pumpkin where old people longed for a tug at the dugs of the latest low-cut barmaid whilst lobbing darts into a cork circle and, yes, even older folk sitting around at tables of six tussling with quiz questions on sublects that tried to summon a nostalgia even for the present as well as for the provenance of some untimely erstwhile hinterland of hope.

“Who wrote the road to Hell is paved with good intentions?’ asked the questionmaster.

“Some bloke called Blake,” fluted Tom in his wake, as he quit the pub’s purlieus. This particular Saturday, there was rumoured to be a hop that only needed loungers with beerpots to stand around waiting to pluck up courage to ask loose-limbed floozies to leave their handbags and dance with them instead of each other.

Rumours in this town were worst than cancellations, though, Tom thought, as he swaggered down Rosemary Road, seeing the lights of the MAGIC CITY arcade frozen in their flickering. Indeed, the Y of CITY had gone fully out. Bingo numbers were being called by a lady’s dulcet amplifications of tone - but no-one played. Once blank-faced strangers were no longer mooching. Even McDonald’s windows had milked up and Tom couldn’t see if any customers were slowly queuing up inside. He took to loping again and reached the end of the pier. The sea was dark but perceptibly stationary. The waves looked razor-edged.

Time was when he’d have stood here in the quiff-stirring winds along with others of his kind - burping and cheering and even hopping off into the sea as a beery sort of Dare. But, now, there was silence.

Tears and waves have one thing in common. The salt.

Time hung heavy. He slipped out of his snazzy outfit and wondered if Heaven would have a Magic City, too - one where no-one played.


(published 'Monas Hieroglyphica' 1999)

Posted at 03:25 pm by Weirdmonger
Make a comment  

No Dreams, No Packdrill

It was darker towards the middle of the room.

There is no fear greater than that of a greater fear. And a fear of death is not the greatest of all, by far.

John’s thoughts fired off each other as he dreaded their eventual outcome: insanity, complete and utter.

He had been in this room since daybreak. He had woken up on the couch, having the previous night fallen asleep, he thought, in his usual bed upstairs...if indeed he were downstairs at all.

The couch was under a bay window, a wooden surface with a narrow mattress on it. Most of the daylight hours he had been snoozing between dreams. Now with dusk, he noticed that the outskirts of the room, including even the windowless walls, were shirmering with light, leaving the central rug between the fireplace and the bay window in shadow. Not only shadow, but an almost tangible sooty mist rising towards the ceiling.

With growing horror, he realised that the dreams need not have been dreams at all, but merely what he feared most: the onset of insanity.

Then cane the big doubt, the one flaw in his line of argument. His mind flooded with mental fire, as he grew less confident about the nature/demarcation line of dream and insanity. Then, of course, there was that first rogue force called reality which feeds from both dream and insanity and then calls itself sanity for convenience (or just for the laugh). He felt more than a little confused, without properly understanding that the degree of his confusion was affecting all his senses, not only that of thinking. He smelled awful. He tasted his own dead body. He saw nothing but his own eyeballs slowly revolving in their sockets, with all the scratching at the window to get in. He touched the top of his head and felt a gluey substance instead, which action in itself seemed to cause other senses to be worse affected. The darkness in the middle of the room disappeared from sight.

John woke up in his usual bed upstairs, having slipped peacefully through a dreamless night, a beauty sleep to end all beauty sleeps. But it was still very dark outside.


(published ‘Midnight In Hell’ 1991)

Posted at 03:24 pm by Weirdmonger
Make a comment  

Bricken Hall

Bricken Hall was the large house on the hill, during Michael's childhood. He sometimes half-looked up at it from the school playground, never questioning its presence and, as time continued, barely noticing it at all.

Like all towns where people are raised, he took many of the landmarks for granted, however they might have appeared to strangers - the quirks and nooks, winding alleys, architectural peccadilloes, long walls without entrances, squares with fountains amid the odd statuary, and the line of terraced houses where Michael himself had been chosen to live, with stylish out-jutting windows and carved ornamentation more akin to gargoyles than one would think typical of the Utility Years.

But he never really noticed anything at all. He played at being a steam-train along the lines in the pavements, as he wended the familiar course to school. Sometimes he decided that the blue-mottled paving-slabs meant death, so he had to hop over those for fear of his very existence (albeit a tenuous existence at the best of times). Then he reached Temperance Street where, if he had only realised it, the school was itself an architectural peccadillo, with it squat priapic bell-tower, endless red-brick walls, and two playgrounds, one for boys and the other for those who were at that time a mystery to him - they were called "girls", but that was all he did know, other than the fact that they seemed to dress differently - and teachers with pea-brain whistles, looking older than they really were either because of the strain of the job or the comparison with Michael's insultingly young age - and playtime when he had to pinch his nose for fear of the ripe stench in the Boys Lavatory, followed by games such as Denno and chants of "fight! fight! fight!", whereupon a teacher arrived breathless from the affrays Michael later learned took place within the sanctuary of the staff-room, to tear apart, limb from limb, those ruffians partaking in a catspit scrap, and other games, yes, like flicking cigarette cards so they flew off as bodiless helicopters into corners of the playground where, on different occasions, he sometimes sat with a crony or two debating the nature of existence (however tenuous) and whether "girls" had willies.

Those were the best days of his life. The horror was he could not later remember them with any degree of clarity. But, presumably, he did not need reminding that, one day, upon emerging from the Boys Lavatory, deeply inhaling the comparatively fresh air of the playground, he had looked up for once at the large house that stood on the hill. Bricken Hall, they called it. A teacher, during Gym that day, whilst the brawnier boys dragged the thick bristly exercise-mats from the bike-sheds and the weaker morsels toted the bean-bags from the Boys Lavatory, told Michael (as, the teacher said, Michael was the only trustworthy one), that Bricken Hall was haunted. Michael stared back quizzically, not speaking, for he hardly ever opened his mouth (except to nourish his tenuous existence with food) and, inretrospect, that was probably why the teacher trusted him so much. In later life, Michael could still see him, standing there, staring at Michael's three-quarter length trousers, which demurely hid his knobbly knees. The teacher's eyes were blue and younger than the other teachers. His horn-rimmed spectacles reflected Michael's own face twice over...

For several months after that, Michael was intrigued by Bricken Hall. He began to notice it more and more. He went to the library to read up about it, searching archives of local history, questioning the spinster type who stared into space at the front of the reading-room. She told him more things than any of the books could tell him. The books were more concerned with the personalities that had passed through the annals of the Town Hall (which, Michael supposed, if you had the time, would itself prove to be quite an interesting building to study, with its Gothic clocktower and yet unrepaired war damage). It was perhaps because he remembered more about facts when given to him by word of mouth (the eyes saying as much as the lips), that he literally ate up the sounds, recompensing in due course, he hoped, for his own silence. She knew what he needed to know, without really being asked. She must have read it in his face like an open book.

She said that parts of the Temperance Street School were older than Bricken Hall. Its bell-tower was, in itself, the oldest part of the whole town. And from the boys' playground (and no doubt the lavatory, too) had emerged some of the world's leaders, such as Disraeli, Cromwell, Churchill, Thatcher and so on. Michael ate it all up.

But, when he heard about Bricken Hall, his mouth gaped open and stayed like that for days afterwards. It had ghosts, true - many had seen them. Not only that simple fact, it had actually been built to house the ghosts that already populated the once bare hill.

"What sort of ghosts, I hear you ask me," she continued (and he later could not recall what she had said precisely with that strange Welsh underlilt). "They came from all walks of reality, but the ones that linger most are literary. E.F. Benson stays locked up in the room in the tower, scribbling social comedies. M.R. James even today sits in its bookroom, illuminating clues upon all the fly-leaves, sometimes confiding with Carnacki who has recently taken to roosting up one of the chimneys. H.P. Lovecraft has left to go to a better place, but he has abandoned many of his more striking creations in the shuttered attic, where lesser monsters dare not go. Matthew Gregory Lewis ponders on why his Nun was bleeding and his descendants such crass people. Sitting in the kitchen polishing the silverware of his dreams, is one with a remarkable resemblance to Edgar Allan Poe..."

She rhythmically intoned the last name, almost too low for a woman to reach. None of it then, as later, made any sense to Michael, but it was all so perfectly mysterious; each word fell into place like a massive jigsaw that would keep him busy for at least a decade of Christmases.

#

He could not remember ever noticing Bricken Hall again. The teacher who had drawn his attention to it was never seen again. There was a rumour doing the rounds in the Boys Lavatory that he had been sacked for venturing into the "girls'" playground "out of season", as it were. Michael never even again noticed the hill upon which Bricken Hall had sat. Life took on a new urgency, speeding up, doing things to his body that he feared he would never understand. Events leapfrogged. Exams seemed all-important, for he wanted to follow in the footsteps of the famous Old Boys of Temperance Street Juniors.

He became older and, he hoped, wiser. He thought he had left that town far behind him, both in mind and body. The image of Bricken Hall did not cross his thoughts for all these years of helping his own children winnow the impossible jigsaws from the rest of their lives. But then I came to haunt you, Michael, with memories, memories which you perhaps hoped had slipped away beyond recall. I was a ghost from the unchangeable, if forgettable, past, bringing it all back with me like the black lace train of a funeral dress. I had come to teach you that the past was all-important and should not be filed way in that forgotten drawer which was full of old childrens' clothes. You should have riffled through the old yellowing photographs that your eyes once snapped - such as the reflections in a pair of glasses. I was to renew the mysteries of the opposite sex which, at the best of times, you never really plumbed. I was to show you how to tread fearlessly on the blue-mottled paving-slabs. So, whatever you might have done and was still to do, Michael, I was surely destined to live an existence (sometimes shy and tenuous, sometimes neither) in the shuttered attic of your brain.

Michael looked up for the last, and perhaps first, time and saw a shape waving from the top of a bare hill. He however barely discerned the glint of its glasses in the setting sun - or was it the naked sparkle of its tearstained eyes?

Published ‘Crypt of Cthulhu’ 1994

Posted at 02:01 pm by Weirdmonger
Make a comment  

Milk's Mirror

Milk looked in the mirror. Looked again. He was a real sight. Milk was never the sight for sore eyes. A huge pimple on the glass with sprouting hair and embedded apertures. Milk couldn’t believe his eyes. Milk was not in the room. But in the mirror. Or so Milk felt. Milk didn’t look again. Not for a long time. Then frightened Milk discovered he wasn’t in the mirror either.

Milk woke up with a swollen head. It hadn’t been a dream. Surely, Milk never dreamed. Milk couldn’t dream. Couldn’t sleep, in fact. Mad people are people who stay awake. Madness and waking walk hand in hand. Sleep and sanity are tongue in mouth. Turd in cheek.

Milk couldn’t fathom it. The bed was smaller now. Milk’s mind bigger. Heart thumping like a door in the wind. Milk had slept for the very first time since coming into the world. Always in bed at night. The only civilised place to be. But sleep, that was another game. Until tonight.

Since his mother’s womb had disappeared like the back exhaust of a car speeding up a motorway towards a massive shunt, Milk had lain there at night, eyes bigger than stars. But not tonight. Milk had slipped. Into darkness. Then dreamed of a mirror. Milkmirror. And, finally, himself. Milkself.

Milk tottered to the toilet. Worked the flush to rid the bowl of the creature that had floated there during the night. But it wouldn’t budge. The water rumpled its skin. Sparkled the gaps for eyes. Plumped plimsoll-lines and tide-marks against the sides of the bowl.

Milk laughed.

Mirrors everywhere.

But nowhere for a soul.

Milksoul. Milkbowl.

The eyes wet.


(published 'Air Fish' 1993)

Posted at 01:59 pm by Weirdmonger
Make a comment  

A Child's Weeping

“I think, deeper than memory, there is something indefinable which triggers us into a perspective and a hopeful leg-up towards recapturing the past. For example, I have had wide experiences over the years (many tears and laughter) but very little seems now to be directly accessible; yet upon an ‘event’, I can often nod sagely and recreate ‘memories’.”

They were the first words of the body which I was inspecting for possible habitation. Its selling-point.

‘Vacant possession’ I understood it to be, if one employed the old parlance of Real Estate … vacant, of course, except for the thought expressing itself in this way of speech. I decided to query the paradox. Yet, naturally, the party selling the body for habitation was the body itself. Unless houses or other similar properties had become autonomous, they had always needed a third party for any transactions to be viable.

Which reminds me – years ago, before I can even remember, I was indeed a house; my bricks a jigsaw of my boneless skeleton; my roof a hot tin one; my chimney a vestigial stand for aerial spokes and unwanted thoughts; my rooms the soft spaces of the heart … and the ghosts simply emotions that made me the me I was.

I screwed up my face in a surrogate scowl. I was rather bemused by the unspoken concepts that had seamlessly derived themselves from the initial pattern of speech. “Soft spaces in my heart?” I laughed. I had a big heart.

Laughter is never the laughter that laughed last. Torn from my throat like soot from a chimney.

Legged-up into the flue from the hearth’s grate, I blamed the old days for my predicament as a child sweep. Someone, though, was sweeping down the other way. Someone or something.


(Published 'Not Dead, But Dreaming' 2001)

Posted at 01:57 pm by Weirdmonger
Make a comment  

Next Page